Showing posts with label Frock Coat. Show all posts
Showing posts with label Frock Coat. Show all posts

Friday, 12 May 2017

Sixth Doctor costumes in the making!

 Today I'm starting the process of retrospectively bringing my blogs up to date.

Over the past few years I have become increasingly busy and finding time to post has been limited, so I have defected to Instagram as my default site for sharing what I've been up to.

Here is some work I have been doing on various Sixth Doctor commissions.

Do get in touch if there's anything that catches your eye!

These were some trousers I made. Always nice to see my label inside!


I do love making the Frock Coat. I've made so many now I go on auto-pilot and it can be quite therapeutic and satisfying to see it coming together.


All done - ready to ship out to the client!

Also ordered were some spats!

My spats are patterned directly from a screen worn pair. Studying them closely it became apparent they were possibly done a little on the cheap as they don't entirely sit straight and some finer details of construction are a somewhat jarring to the eye of an experienced tailor.

I therefore took the view to tweak their cut a to improve how they sit and rectify the construction so they will last longer for day-to-day cosplay wear.

Tuesday, 12 November 2013

Hello Cosplay - Sixth Doctor Frock Coat

I’ve seen a bit of online discussion about a new version of the Sixth Doctor Frock Coat which has been made by one of the Far Eastern cosplay costume makers.

So I thought I’d take a look and give my opinion, for what it’s worth.

6th Sixth Dr Colorful
Lattice Stripe Coat Costume


Over the past few years there have been a number of options for Sixth Doctor Cosplayer, but they have been distinctly at the polar ends of peoples budgets.

Cloth Ears made a premium coat for a while, and Honest Dragon catered for the those with a tighter wallet.
My own offering is distinctly only for the discerning cosplayer.

Even some amateur tailors have had a go, with varying levels of success.

Now Hello Cosplay have entered the market with another addition to the cheaper options, but one which in my mind stand well above the other options in the same price bracket.

Now I look at replicas of this coat with a very distinct eye, since I have become uncommonly intimate with every panel that makes up the patchwork.

With a price tag of US$129.99 I’m not setting my expectation too high, but in many regards I have been pleasantly surprised.

Sunday, 22 September 2013

Ultimate Sixth Doctor Frock vs
Cloth Ears Six Frock Coat

Review by TYPEFORTE

I have to confess, that when Steve first made known his interest in producing a replica sixth doctor frock coat - back in late 2009 / early 2010 - I was mildly sceptical that it would actually reach fruition.

Not, I hasten to add, because of any doubts regarding his skills or attention to detail, but simply because of the scale of the challenge: the logistics, the expense, the complexity. It’s a colossal project, from researching fabrics and potential suppliers/manufacturers right through to the assembly.

The fact that so many of the fabrics can’t be closely matched with anything ‘off the shelf’ necessarily suggests the need to have them made bespoke – which, of course, involves painstaking development and sampling, not to mention phenomenal expense. Steve appeared undaunted by any of these considerations and bravely forged ahead, tackling the project methodically, little by little. Three and half years later… and I find myself taking delivery of the result.


Steve’s journey seemingly began when he was blessed with an opportunity to closely inspect one of the three screen-used examples of the coat (coat number 2). Some years previously I’d enjoyed a similar chance to inspect the same coat. So I can judge Steve’s replica from the standpoint of having briefly handled a “real” one.

I can also judge it from the standpoint of owning one of the replicas offered by Clothears, who were responsible for certainly the most commendable replica up until that time. Clothears, like Steve, had enjoyed access to a screen-used original (coat number 3), and, like Steve, had gone the route of having several of the fabrics custom made. At the time, the results were pleasing. The fabrics they’d had made were a reasonable match to the originals, not perfect, but reasonably close, and the overall effect certainly left me with the impression that this was pretty good – and probably as good as I had any business hoping for.

Without wishing to take anything away from the level of research and workmanship that went into the Clothears coat, I’m delighted to be able to say that it has now been surpassed … and by a quantum country mile. In many ways – and in fairness – each caters to a slightly different audience (and budget).

Clothears are best described as ‘costume-makers’, providing their services to the cosplay market. As a cosplay accessory their Sixth Doctor coat remains an excellent piece of work and (barring Steve’s) knocks any other replica into a cocked hat. In contrast, what Steve has produced goes beyond mere cosplay tomfoolery and ventures deep into the territory reserved principally for the ‘serious collector’. It’s a serious piece of art, a serious piece of craftsmanship and comes with a serious price tag to match.

So, out of the box… the first thing that strikes me… is that nothing is glaringly wrong. The cuffs are fashioned from exactly the right pillow ticking (which proved elusive even to Clothears), dyed yellow. Nice, rich, red tartan/plaid, with deep maroon cross threads (no sign of the conspicuous green threads present in Clothears’ red plaid fabric, which looked okay in certain lights, but which would occasionally catch the light/camera-flash in a way that just didn’t ring true to the original coat).

The multi-check fabric on the collar exudes all the subtle and subdued hues seen in the originals without any hint of the vivid, over-saturated blues and greens seen in the Clothears version. Similarly the check pattern is scaled so accurately that the coloured squares are able to fall in exactly the same place as they do on the original. The primary yellow lapel is more authentic in being brighter and punchier than its Clothears counterpart, which, I believe – as with certain other fabrics used in their replica – they elected to hand-dye to the desired shade. Another casualty of their hand-dye approach was, I think, the peach felt which, in the aftermath of the rigours of the process, did appear rather fuzzy, leading Steve to liken the result to ‘mohair’ in his own review. Steve’s coloured melton fabrics, in contrast, are fuzz-free. To the side, we find the pockets edged with exactly the right braid/piping as per the originals. Clothears sourced a good match but it wasn’t exact and the colour was a little off too.


Turning to the back, we see the fiddle back seams perfectly represented, the bias-cut shoulder seam bowing; and the arched seam that runs to the top of the waist pleat tapering elegantly as it heads towards the small of the back. Neither of these subtle lines are so apparent in the Clothears coat.

The woven upper panel, though arguably lacking something of the peculiar ‘shiny’ (almost fluorescent) quality of certain fibres and threads seen in the original, nevertheless resembles it very closely indeed. To anyone who hadn’t seen the original up close, this would certainly appear identical. The patchwork appliqué strip that runs the centre of the vented skirt is also a convincing recreation of the original.

The distinctive lining is another small marvel. To their credit, Clothears also commissioned fabric for the lining but approached it in a very different way, with different cost implications and, inevitably, quite different results.

The lining in Steve’s coat is an impressive extra flourish, and really completes the sense that what you’re handling is almost interchangeable with an original coat, albeit brand new – and unlike the Clothears lining, doesn’t rustle as you move.

In conclusion - leaving aside the superior fabrics used – the real hallmark of Steve’s Sixth Doctor coat is in the superior craftsmanship and construction that underpins every panel and stitch. Arthur Davey - the tailor who made coat number 1 from Pat Godfrey’s design - would be proud.

The result is one that illustrates the difference between a costumier and a tailor; between a cosplay accessory (even an advanced one such as the Clothears coat) and a bona fide collector’s piece. Steve’s coat benefits not only from his training and experience but from the fact that – rather more than Clothears, I will hazard – he is himself a Doctor Who Fan. It shows.

TF.
UPDATE

This Cloth Ears coat has subsequently been sold on eBay for £731.24

6th Doctor Who Frock Coat

Tuesday, 27 August 2013

Double the Six

I’ve been busy working on an unusual commission for TWO Six Frock Coats.

Usually I just need to do one, but this buyer has requested two, so I have had to pay particular attention and make sure they are extra identical!

It’s been a few weeks work, but now I’ve finished them I thought it would be nice to share some pictures with you.

Somehow I’ve always managed to not get decent photos of the backs of my coats - which is annoying since the back almost contains more work that the front!


It has the single most expensive piece of fabric - the hand woven back panel. I don’t begrudge the price since I know the work that has gone into hand dyeing each of the yarns and the complex weave it has.

It also has the most time-intensive part to make - the appliqué strip which edges the back split. Each of the 14 coloured panels has to be painstakingly and accurately hand-sewn in place. Must admit this is the one part of the coat I do NOT enjoy making!
Plus it has hand-made buttons - which are not easy to make as they need to have a polished finish and look like freshly made plastic buttons.

Anyway, I hope you like them - and I hope my client does too!

Friday, 28 June 2013

Six Frock coat vs Special Weapons Dalek!

Just had a great day out celebrating all thing Sylvester McCoy at the BFI.

You maybe aware that each month the BFI has been screening a Doctor Who adventure - and since this is July, Remembrance Of The Daleks was being screen to represent the Seventh Doctor, with both Sylvester and Sophie in attendance.

You can read the full story over on my Seventh Doctor Blog, but what you might have missed is I wore my Ultimate Sixth Doctor Frock Coat for a small photoshoot before hand.

Due to unpresidented demand the ticked for the past few screenings have been allocated by a ballot system, and unfortunately I missed out - or so I thought.

A few weeks ago one of my clients, Tom Nichols, who has a small business hiring out Daleks and TARDISs for event, got in touch to ask if I was going to the BFI screening. It turned out he had offered to display his Special Weapons Dalek in the foyer, and had received the promise of a couple of tickets in return.

He wasn’t familiar with the area, but I thought it an unmissable opportunity to take his Special Weapons Dalek to Windmill Walk, where the Daleks have a pitched battle in episode three of the serial.

The location is barely three streets from the BFI, so Tom jumped at the idea.

We had some fun getting some great pictures of the Dalek in situe, and a number of slack-jawed passers by also grabbed a few shape too.

It was amazing to see it on the very spot where 25 years earlier it had been trundling along, obliterating Daleks as it went.


We then drove over to the BFI, where we were welcomed by security and shown where the Dalek was to be set up.

Tom was very easy going about it, and was happy for it to sit there unattended for the duration of the afternoon as a talking point and photo opportunity for everyone passing through. Some ropes were supplied to cordon it of, so all was good.
My full review of the screening can be read 7th Doctor Costume Blog: Perks of the blog - part two
I just want to say a BIG thank you to Tom Nichols for letting me tag along and help him set up the Dalek - and for getting me into a screening I thought I had missed out on!

Sunday, 16 June 2013

BFI - Doctor Who at 50

I had a fun and interesting day out yesterday, and as you’ll read, things to an unexpected turn!


Being June, the BFI’s Doctor Who at 50 season has reached the Sixth Doctor, and I was fortunate enough to get tickets for the screening of The Two Doctors in the ballot.

Since I have the Ultimate Six Frock Coat, I had to go in full costume!

Travelling on the train and walking along the South Bank from Blackfriars to the BFI was fun, I can tell you.

Once at the BFI I received a lot of positive comments on the costume and was asked for my photo by a number of people, which was cool.
Disappointingly I was the ONLY cosplayer there, so I did stand out like a sore thumb!

The event was quite a packed programme, with a number of other distractions aside from The Two Doctors itself.

Between episodes one and two host Dick Fiddy interviewed fan Grahame Flynn who is an owners of one of the screen-worn Colin Baker costumes, which he brought along to discuss.

He explained how he became involved with periphery of the series during the 1980s, having spoken with June Hudson and later John Nathan-Turner.

Amongst his collection is the original shirt and waistcoat from Tom Baker’s season 18 costume.

He explained how June disliked the imposition of the question marks on the lapels, opting to do them in a subtle colour to minimise their impact.

Attention then turned to Colin’s costume and Grahame show one of Pat Godfrey’s oringinal design sketches.

The fabrics used on the coat also came up, and how a lot of it was sourced from the John Lewis department store in London!

Dick Fiddy was then invited to try the coat on - something he wasn’t prepared for and seemed surprised to be offered.

They discussed the waistcoat and shirts, explaining how they were made in an ivory colour rather than white so they were tv-camera friendly.

Then to my own surprise I was called out of the audience and asked to come down the front to show off my own coat.

I discussed how it had been made and the work that had gone into creating it, as well as the time it had taken to do it all.

This was the first time my finished coat had been side-by-side with an original screen-worn, so it was a bit nerve-wracking.

I showed off the lining, as well as the hand-woven back panel, which stood up incredibly well compared to the original coat standing next to me.

Mine is modelled after the earlier versions, and the one Dick was wearing was the later one, specially created for Colin’s expanding waistline.

If you look closely you can see how the tartan panel on my back is narrower, as this is where the coat was made larger to fit. The back of the collar falls differently too, as this had to allow for the change in cut.

It was very exciting to be asked to show off my coat and I’m proud to say I was involved, if only in a small way, with the BFI’s celebrations for the 50th Anniversary of Doctor Who!


Many thanks to Paul Ducker who kindly sent me the photos he took

Saturday, 23 February 2013

Gallifrey One - the tv Movie console

Amongst the many photos I got over the weekend at Gallifrey One, this has to rate amongst my top ten - if not my top five!

This is the original screen-used Paul McGann TV Movie TARDIS console, with assistant Daphne Ashbrook. She loved my coat!

Monday, 18 February 2013

Gallifrey One - Ultimate Six Coat photo ops

Walking around Gallifrey One this year, The Ultimate Six Frock Coat has been gaining a lot of attention as well as causing a buzz amongst fellow cosplayers.

I had some fun sharing the lime light with Sal Giliberto, who  has been craving a Six Frock Coat for years, and this year his dreams came true!

Without doubt my favourite photo of the weekend was taken on the morning after the convention when everyone was on their way home. Legendary caotume designer June Hudson was in the lobby and wanted to get her own photos of Sal’s Six Frock Coat, which gave us the chance to get this GREAT photo.


She loved the coat and was very complimentary about my work - which has been inspiring for me that such a legend of Doctor Who costume could be so nice about what I am doing.

Sunday, 17 February 2013

STOP PRESS - latest news!

I’m writing from Los Angeles and the Gallifrey One convention, where last night the Ultitmate Six Frock Coat project became multi-award winning!

BEST IN SHOW
WORKMANSHIP (Master Class)
BEST IN SHOW
COSTUME RECREATION (Master Class)


This was me in the lobby soon after the awards were announced, where I got near mobbed for photos and congratulations.

Can I say a thank you to everyone who did come and speak to me - it meant a great deal and was much appreciated.

More news and better photos when I get the chance.

Saturday, 26 January 2013

Ultimate Six Frock Coat - FINISHED

So last weekend at Project Motor Mouth I debuted my ULTIMATE Six Frock Coat.

A lot of people asked for my photo - but I know you wanna see some proper quality images of how the coat came out, so here they are.


I’m so happy about how it’s turned out. Better than I could have hoped.


As you can see, the lapel sports one of the original-style cat brooches as screen-worn.
Check back soon for the chance to get hold of a PERFECT replica of this brooch!


Now you might have noticed that under the Frock Coat is a rather special waistcoat. It is my copy of the season 22 waistcoat with knitted fronts.


I’ve been keeping this one under wraps for several months now, but finally you can see it and I’ll show you it properly very soon.


Do let me know what you think of the finished coat. Has the three years of work paid off? You tell me!

Close Encounters Of The Sixth Kind

My primary goal is to finish the Ultimate Six Frock Coat in time for Gallifrey One in mid-Februry.

I cannot possibly miss this deadline, so to get the coat ready for Project Motor Mouth in late January is a helpful false deadline to kick me into gear.
With the cold weather and a bought of flu, it was right down to the last couple of days before that I finally got it finished to a level worth showing off - and it goes without saying the ONE person I wanted to show it off to was Colin Baker, who happens to be attending Project Motor Mouth.

It was a shade disappointing to find out that he was not able to arrive until mid afternoon since he had a rehearsal for The Woman In White, a stage production he is starting soon. He therefore missed the Doctor’s photocall and the discussion panel, as well as the main signing sessions in the hall. However, it became clear he had arrived as planned and an additional queue was forming leading out of the room towards where Colin was held up in a side suite.

Word came down the line that only ONE autograph was allowed and NO photos were permitted with Colin. Hum. We’ll see about that.

Here’s my picture I got with Colin - read on about how I managed to get it!

Monday, 21 January 2013

Ultimate Six Frock Coat -
Project Motor Mouth debut

As you’ve read, I braved the Arctic conditions and battled flu, but got myself along to Project Motor Mouth this weekend.

The event was the perfect opportunity to wear my Ultimate Six Frock Coat for the very first time, and here are a selection of photos of me with other cosplayers at the convention.

Annoyingly my boots were ready for me to collect, but I couldn’t get them due to the snow that fell this week.

Still, I got to show off my season 22 waistcoat - something I’ve been keeping very quiet until now.